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| Recitals | Date |
| All Saints' Episcopal Church, Morristown, TN | February, 2008 |
| Rascher Centennial Celebration, SUNY, Fredonia, NY, USA | November 10-11, 2007 |
| Carson-Newman College, Jefferson City, TN, USA | October 25, 2007 |
| Syracuse New Music Festival, NY, USA | November 12, 2006 |
| Society of Composers Region II Conference, Clinton, NY, USA | November 10-11, 2006 |
| Memmingen, Germany (concert and workshop) | May 29-30, 2006 |
| Darmstadt, Germany (concert and workshop) | June 1, 2006 |
| Converse College (Southeastern Composers League Forum), SC, USA | March 16-18, 2006 |
| Carson-Newman College, Jefferson City, TN, USA | March 21, 2006 |
Duo parabolique et d’ivoire was founded in 2004 by composer/pianist/organist J. Ryan Garber and saxophonist Richard Scruggs.
The genesis of their collaboration began with, naturally, a composition
by Garber for Scruggs, Parabolisms, for saxophone and piano. It
intrigued Garber that early saxophones were parabolic, not conical as
modern ones, and composed a work exploring unique aspects of the sound
and expressive possibilities of these instruments. The idea was born to
explore new musical aspects of this combination through performances of
both established and newer works in the saxophone & piano
repertoire.
J. Ryan Garber
is Assistant Professor of Music at Carson-Newman College where he
teaches Composition, Theory, Organ, and Bassoon. A native of Virginia,
he received music degrees from James Madison University and a Doctor of
Music degree from Florida State University. As a composer, Garber has
received awards and recognition from ASCAP, The College Music Society,
and the American Composers Forum, among others. In 2002, the Tennessee
Music Teachers Association presented Garber with its “Tennessee
Composer of the Year” award that included a commission for a new work
that was performed at their 2003 Convention in Nashville. He also
received a grant from the American Music Center Composers Assistance
Program for the December 2004 premiere of his Magnificat for chorus,
soloists, and orchestra. In May, 2005, his Concerto for Piano and
Orchestra was premiered in Roanoke, VA. Garber’s music is routinely
selected for performance at national and regional conferences of the
College Music Society, Society of Composers Inc., and the
SoutheasternComposers League.
Richard Scruggs
has performed widely in America, Germany, Sweden, Poland and the
Netherlands as soloist and chamber musician in concert venues and
festivals such as Weill Recital Hall at Carnegie Hall (New York City),
the Alte Oper (Frankfurt), Sophiensaal (Munich), the
Internationale-Ferienkurse für Neue Musik (Darmstadt), and the Festival
der Seltenen Besetzungen (Ludwigsburg). Several gifted composers have
dedicated saxophone works to Scruggs, including Werner Wolf Glaser,
Cristian Marina, Ryan Garber, Mark Alan Taggart, Alan Theisen, and
Michael Sidney Timpson. He was for several years a student of the
eminent saxophone soloist and pedagogue Sigurd Raschčr and in 1992
earned the Doctor of Music Degree from Florida State University. From
1993-2001 he was the saxophone instructor of the Tübinger Musikschule
in Germany. He is currently an Assistant Professor of Music at
Carson-Newman College in Jefferson City, Tennessee. Scruggs plays a
parabolic saxophone built in 1927 according to the original acoustical
design of the inventor, Adolphe Sax.
Repertoire — a sampling of current repertoire
Benson, Warren - Aeolian Song
Cowell, Henry - Air & Scherzo
Dressel, Erwin - Partita
Garber, J. Ryan - Parabolisms
Garber, J. Ryan - Resonances for piano solo
Glaser, Werner Wolf - Solosonat
Hába, Alois - Suita, Op. 99
Jacobi, Wolfgang - Sonate
von Koch, Erland - Sonata
Machá, Otmar - Plác Saxofonu
Maros, Miklós - Undulations
Reiner, Karel - Dve Skladby
Other works and programming possibilities are available...
To contact the Garber-Scruggs Duo, click here.
“In every small form stands the Idea of the
larger Form, the representation and
character of the creative Spirit within.
This to recognize, not to idolize,
is Mankind’s responsibility.”
Alois Hába, 1924
"Don't pay too much attention to the sounds--for if you do, you may
miss the music. You won't get a wild, heroic ride to heaven on pretty
little sounds."
George Edward Ives
(father of Charles Ives)
Related Links
www.ryangarber.com
www.collegemusicdepartment.com
www.cn.edu/link/music